The phrase describes a specific subgenre within Chinese historical romance dramas. These narratives typically center on a female protagonist who, having ended a marriage to an emperor (or a member of the royal family), unexpectedly finds herself regaining or newly gaining his favor and affection. This premise allows for exploration of themes such as second chances, personal growth after adversity, and the complexities of imperial relationships.
This type of storyline resonates with audiences due to its blend of romantic longing, political intrigue, and the satisfying trope of overcoming societal constraints. The protagonist’s post-divorce agency and subsequent empowerment offer a compelling narrative, challenging traditional portrayals of women within historical settings. The historical context, usually a fictionalized version of a past dynasty, provides a rich backdrop against which the romantic and political drama unfolds, enhancing the viewer’s engagement.